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Constantly shifting between representation and abstraction, while referencing art, architecture and design and embracing the decorative, British artist Tim Braden's work is a celebration of the act of making things. His expressive and lushly seductive painting explores the in-between spaces between categories and states, dissolving and reassembling the world in high-key colour and vivid brushstrokes to re-present reality as something new and newly felt. Assembling a body of work produced over the last decade, Tim Braden is the first monograph on the artist in ten years. It draws together the many themes and styles of his work, and includes many paintings that have never been shown in public previously. The book includes a response to Braden's work by Jennifer Higgie, and contributions by Christopher Bedford and Dominic Molon.
