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Het Boek Advances in Digital Scholarly Editing (9088904839) geschreven door Anna-Maria Sichani bestel je op bruna.nl! As the papers in this volume testify, digital scholarly editing is a vibrant practice. Scholarly editing has a long-standing tradition in the humanities. It is of crucial importance within disciplines such as literary studies, philology, history, philosophy, library and information science, and bibliography. In fact, digital scholarly editing represents one of the longest traditions in the field of Digital Humanities - and the theories, concepts, and practices that were designed for editing in a digital environment have in turn deeply influenced the development of Digital Humanities as a discipline. By bringing together the extended abstracts from three conferences organised within the DiXiT project (2013-2017), this volume shows how digital scholarly editing is still developing and constantly redefining itself. DiXiT (Digital Scholarly Editing Initial Training) is one of the most innovative training networks for a new generation of scholars in the field of digital scholarly editing, established by ten European leading institutions from academia, in close collaboration with the private sector and cultural heritage institutions, and funded under the EU's Marie Skłodowska-Curie Actions. The partners together represent a wide variety of technologies and approaches to European digital scholarly editing. The extended abstracts of the convention contributions assembled in this volume showcase the multiplicity of subjects dealt with in and around the topics of digital editing: from issues of sustainability to changes in publications cultures, from the integrity of research and intellectual rights to mixed methods applied to digital editing-to name only a few. Contents: Andreas Speer, Welcome Arianna Ciula, Gregory Crane, Hans Walter Gabler, Espen Ore, Preface Peter Boot, Franz Fischer, Dirk van Hulle, Introduction List of beneficiaries List of DiXiT fellows Acknowledgements Part 1: Theory, Practice, Methods Francisco Javier Álvarez Carbajal, Towards a TEI model for the encoding of diplomatic charters: The charters of the County of Luna at the end of the Middle Ages Mateusz Antoniuk, The Uncommon Literary Draft and its Editorial Representation Gioele Barabucci, Franz Fischer, The formalization of textual criticism: bridging the gap between automated collation and edited critical texts Gioele Barabucci, Elena Spadini, Magdalena Turska, Data vs Presentation. What is the core of a Scholarly Digital Edition? Elli Bleeker, Modelling process and the process of modelling: the genesis of a modern literary Text Christine Blondel, Marco Segala, Towards open, multi-source, and multi-authors digital scholarly editions. The Ampère platform. Ben Brumfield, Accidental editors Fabio Ciotti, Toward a new realism for digital textuality Arianna Ciula, Modelling Textuality: A Material Culture Framework Claire Clivaz, Multimodal Literacies and Continuous Data Publishing: une question de rythme Isabel de la Cruz-Cabanillas, Editing the Medical Recipes in the Glasgow University Library Ferguson Collection Richard Cunningham, Theorizing a Digital Scholarly Edition of Paradise Lost Tom De Keyser, Vincent Neyt, Mark Nixon, Dirk van Hulle, The Digital Libraries of James Joyce and Samuel Beckett Paul Eggert, The archival impulse and the editorial impulse Ulrike Henny, Pedro Sepúlveda, Pessoa's editorial projects and publications: the digital edition as a multiple form of textual criticism Maurizio Lana et al, "...but what should I put in a digital apparatus?" A not-so-obvious choice. New types of digital scholarly editions Caroline Macé, Critical editions and the digital medium Chaim Milikowsky, Scholarly Editions of Three Rabbinic Texts One Critical and Two Digital Sara Norja, From manuscript to digital editio
